Description
When I looked up it had gone 1, and, And when I looked up it had gone 2, present the viewer with what seems to be an obscured or imagined science-fiction setting, as the pulsating neon framework of a Soviet fuelling station is surrounded by the white-washed landscape of infinity. It is intangible; an interior world. The photographs assume a performative quality as the viewer is invited into the work, ushered to complete it within the confines of their own imagination.
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